Friends flume4/19/2024 That association is strengthened by his links to genre pioneers like Danny L. The track, and Flume's whole sound, is closer in line with the world of hyperpop, blending elements of electronic, hip hop, and dance music with both avant-garde and pop sensibilities. There's no nostalgia for bygone trends in the way Harry Styles, Dua Lipa, The Weeknd, or even Beyoncé's dancefloor-targeted blockbuster Renaissance does. It's more daring and forward-thinking than most stuff clogging up the charts. 'Say Nothing' has all the trappings of a blockbuster pop hit – the undeniable hooks, the excitement, the pleasurable ear candy – but it's dressed up with few of its historical conventions. The bridge introduces some light drum n bass rattle before pads and synthetic brass stabs build intensity, as MAY-A's voice is chopped and warped into abstract shapes for the finale. There's vocal harmonies and touches of Brazilian funk to the percussive patterns layered into the verses, providing development as well as momentum. There's the skittering rhythmic textures, the contrast of luminescent synths and gargling bass, even right down to the way the track subtly evolves.įaint alarm-sirens haunt the sparse opening, foreshadowing the drama to come before piston-pumping beats join MAY-A's expressive topline and signal the arrival of the addictive chorus. It's more difficult than ever for artists to sustain mass appeal over the course of a decade, yet ever since emerging on the scene in 2011, Flume has maintained the kind of profile most musicians only dream of.Īs we wrote when the track got its first play anywhere – on triple j Breakfast back in February – 'Say Nothing is "a futuristic banger with an emotive vocal performance the same megahit lineage" of Flume's most popular work and all the ingredients of an instant classic.Īccompanied by the mind-bending visuals of the J Award nominated music video - a fever dream of mutating faces, tropical birds, and mysterious motorbike-clad figures - 'Say Nothing' has Flume's sonic signature all over it. It's an arguably more impressive feat, especially in a country where tall poppy syndrome thrives. Whereas Powderfinger had momentum on their side, there's six years dividing Flume's occupation at the top Hottest 100 spot. Most significantly, Flume is the second ever artist to top triple j's annual Hottest 100 twice, and more than two decades since Powderfinger did it back-to-back in 19. Flume also charted at #8 in 2016 with 'Say It' ft.#5 in 2013 with his Chet Faker collab 'Drop The Game'.Not only has the electronic auteur now charted an impressive 17 total tracks in the Hottest 100 since his 2012 debut (21 if you include his remixes of Eiffel 65, Lorde, Disclosure and Hermitude) but he's the only act in the countdown's history to rank a song in every position of the Top 5. He's a heavyweight contender in any year he releases music. Not bad for a guy who got his start using software from a cereal box (but more on that later).įlume – or Harley Streten as the internationally renowned Sydneysider's passport reads – has long seem liked the most likely to pull off this rare feat. But for the second time in his career, the Australian producer has topped triple j's annual music poll – this time for his track 'Say Nothing' featuring MAY-A. Tune into Diplo’s 2016 recap mix below, and check the full tracklist here.Flume was already a certified Hottest 100 favourite. It’s the perfect snapshot of what went down in 2016, mixed by one of the world’s most sought-after producers. Grammy-nominated hits from Skrillex and Flume also land in the tracklist, balanced by dance floor gems from Donald Bucks and Benzi. Noteworthy electronic acts such as Anna Lunoe, Oshi, GTA and R3hab are featured in the mix, sprinkled between year-defining tracks from The Chainsmokers, A Tribe Called Quest, Rae Sremmurd, Drake, and Calvin Harris. Spanning a full two hours, the Major Lazer frontman nods to some of his favorite tunes of the year, patching together a colorful mix that covers tracks from Beyoncé to Dillon Francis and everything in between. To sum up an exciting year at the intersection of dance, hip-hop, and pop, Diplo took on the final Diplo & Friends mix of 2016 to plug a handful of the year’s most notable releases. Wesley Pentz seems perpetually ahead of the curve with what the next trending wave is going to be, and between Mad Decent’s catalog of releases this year, his own releases, and his side projects’ movements, its safe to say Diplo maintained his status as pop music’s foremost trendsetter in 2016. It’s hard to make the case that anyone has a more firm grip on music’s pulse than Diplo.
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